Luis Maldonalle - Manicomial

...............................................................by Alana Kanashiro

Luis Maldonalle is a guitarist and that is his first work. A Cd soil, that it mixes Rock and Fusion and speech on human psyche and psychosomatic diseases. Besides, the Cd was produced by him same and Gustavo Vazquez. It follows some comments of Luis on the strips of his Cd:

1 - Placebo - The music that opens the CD, a fast riff well with linked to the style Symphony X, has an electronic passage, a guitar to the bottom, the clustersão piano was to represent the theme of the album him atonal it involves melodic smaller tone whole on a base metal. The end of the music is a very progressive passage in sesxtina with some accentuations and the last chord giving an intention lídio concluding the music in a modal way.

2 - Something for the Pain - Maybe the theme most accessible of whole that work, characterizing a bridge and same chorus if treating of instrumental music, the passage for the other part of the music sends well to the style seventy dixie draggiano, following by tiny tappings, a base bottom metal while the soil is due to a style more fusion and outside, the acoustic part in the middle, has to the bottom some craft instruments and a low fretles, while the guitar nylon characterizes a lídio mix and frigio, the turn is metal with bases and soils malmstinianose to contain returned in the bridge of the music that puts an end to fadeout.

3-MANICOMIAL - Music title of the Cd begins with a manipulation of voices of acoustic eletro, the chords of the introduction are SUS that characterizes the intention fdion of the music, theme half out and a scath sing in the passage, before the soil have a progressive passage with odd and in agreement division, again, SUS for the soil where there is a progression with chords of the smaller harmonic field melodic! The end of the soil a base metal returning for neoclassical! The music finishes with the hypnotic riff of the introduction.

4-A PLACE TO DIE FROM- It is a music built on top of a smaller progression, and on a groove built with samplers, in the end to characterize as an intention frigio, giving a very Arab intention the music! A guitar nylon was used for that music.

5-SCHIZOFRANTIC- As every ambiência of the Cd is treated of a thematic disk on mental diseases, the title of that music is a mix of the words schizofrenic and frantic (frenzied) heavy riff in the intro and later a theme on a division interesting impar,o of the part of the it predestines or that it rolls are the chords SUS and Seventh Wednesday and None for with the sentences out to characterize an ambiência allan holdsworth, returning the riff after it predestines him/it in,a intention of that part in before is to have a climate half fusion in the soils, however on heavy bases giving a half psychotic climate the music.

6-DWEELING BETWEEN THE POLES- Groove in the beginning with riff and theme, passage with more sophisticated chords on the surprise in a guitar steel, the whole turn with a riff well addressed harmonic smaller á and progressive parts, in the part of the soil they are made several modulations, giving a touch more fusion the music, at the end of the soil there is a convention to bring the music to the riff that began the music.

7-PARVM ATEQUAM MORIOR- Title in Latin (A little before dying) That music was built in a great linkage of chords, a very uncommon progression in the Rock, several altered chords, SUS and chords of loans mold. That music is only composed of piano and guitar and a melotron in the end of the music that becomes a lídio!

8-SEATORY NEDDLES- That, maybe, is the music that more it wins the fusion term, for the focus of the chords and its harmonic structure, a very characteristic theme on the chords and chorus moves away the music of a throw more same metal, the passage for the soil and filled of inverted chords, and SUS, the chords of the very common healthy soil in Brazilian progressions half funk and jazz, the riff of the music is very outstanding and the intention was to have a half hypnotic groove!

9-PHINEAS GAGE 1848(LIFE ENDS)- That is without he/she doubts the most progressive music of the Cd, with a duration of 9 minutes and several parts with poliorritimia, the theme built on a smaller gypsy to emphasize the Arab intention of the music, and it flirts well the whole time with riffs and modulations to the style progressive metal, mainly in the soil, at the end of the music there is one predestines out on a progression smaller om the piano to the bottom well to the style jordan rudess with sixth smaller, while the guitar improvises emphasizing the tensions of these wake up.

10-UNGEWITTER(TEARING ME APART)- An alone music in guitar nylon, as if it was a classic piece, with an interesting movement in the bass, with a lot of passage and giving a touch almost always smaller á music, the intention is that it was the closest of that, the interesting is that in spite of the whole ambiência down of the music she finishes with a larger chord, that it was not intentional in the order of the strips, but that contributed for the unhealthy ambiência of the CD!

Site: www.luismaldonalle.com.br