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Well, this month I’ll talk about one of my favorite
topic, ‘tetrads arpeggios”.
I like these a lot because they sound sophisticated
if use it right. The tetrads are built with the Root, 3rd, 5th and
7th. All the existent tetrads are: Tetrads: -Major 7M
Root 3M 5J 7M
C7M -Major 7
Root 3M 5J 7m C7 -minor 7M Root 3m 5J 7M Cm7M -minor 7
Root 3m 5J 7m Cm7 -Half-diminished
Root 3m b5 7m Cm7
(b5) -Diminished
Root 3M b5 7M C° -Augmented
Root 3M #5 7M C7M
(#5) The following examples I’ll use just “Major 7M” and
“minor 7” arpeggios, but it’s necessary to use all the tetrads. Ex
01: Ex
02: Here I’m using the 9th with. Ex
03: Now the 13th. Ex
04:
Ex
05: I recorded this in one of my songs called “Green Eyes”. Well, have fun... see
ya. DIOGO MAFRA |
