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01- Hi Ciro. How are you doing? Thanks for this opportunity. Start by telling us how you started your work at Souza Lima Music School. I studied there in the early 90’s and in that time the school was already famous for having great musicians as teachers, so since the beginning I felt like teaching there. Some years after, in 1998 I was called out to do the transcriptions of the book “FIFTEEN” which was edited and released by the school. I took the opportunity to leave my resume and I was hired to teach in the early 1999.
In fact this idea came up as an evolution of the Quadrivium guitar quartet which was agroup in which I had played in the last 90. In the Quadrivium we played songs of guitar erudite composers and for so we had to make a series of research such as techniques appropriated to the style , varied tunings and even the usage of guitars of different size as the piccolo guitar. After the group was over I got these researches to create the Souza Lima Guitar Orchestra with students of the school. It has been on since 2002 and I’ve been so proud of it. Beside guitar classes I also teach theory, traditional harmony and counterpoint. 04-Do you think that being in the same atmosphere with great musicians as you’ve got around there is a good point for music students? I’ve been working on an on line course which is likely to initiate next year. I shall start it with the course of guitar and theory and later on I’d like to add harmony and counterpoint. In a soon future I intend to have some material which will use varied medias ( such as video, animated photos, files of sound and links) and is big and detailed enough to help in the study of non presence for a long time.
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